The F chord
A free guitar lesson · 5 steps · about 10 minutes
The famous hard one
F is the chord that makes many beginners want to give up, so let us be honest about it: it is harder than the chords so far, because one finger has to press two strings at once. It takes most people a few weeks to get it ringing cleanly.
The good news is that there is a smaller version to start with. Learn that first and the full chord will come later.
The small F
- Finger 1 lies flat across the B and high E strings at the first fret. That is a small barre.
- Finger 2 on the G string, second fret.
- Finger 3 on the D string, third fret.
- Strum only the top four strings, as with D.
Roll finger 1 slightly onto its bony outer edge, the side nearer your thumb. It is harder than the soft middle of the finger and presses both strings more evenly.
Making the barre ring
Pick the B and high E strings one at a time.
- If one is dull, move finger 1 closer to the fret.
- If it still will not ring, pull slightly back with your arm rather than squeezing harder with your thumb. The weight of the arm does most of the work in a barre, which saves your hand from tiring.
- Check that the crease of a finger joint is not sitting on a string. Slide the finger up or down a millimetre until the string lands on solid finger.
The full F
When the small F is comfortable, try the full version. Finger 1 now lies across all six strings at the first fret.
- Finger 1 across all six strings, first fret.
- Finger 2 on the G string, second fret.
- Finger 3 on the A string, third fret.
- Finger 4 on the D string, third fret.
Look closely: this is the E major shape, played with fingers 2, 3 and 4 and moved up one fret, with finger 1 acting as a new nut. Keep that in mind. It is the idea behind every barre chord, and you will use it again in the B lesson.
Be patient
Give the full F a minute or two a day, and use the small F in songs until the full one rings. One day it will simply work. Almost every guitarist remembers the week it happened.
| C . . . | F . . . | C . . . | G . . . |